Being Eddie review – reverential Netflix doc paints limited portrait of Eddie Murphy

<p>There’s great access in this look at the comedian and actor’s life, from time with the subject himself to his many peers, but there’s depth missing</p><p>Being Eddie, a new <a href="https://www.theguardian.com/media/netflix">Netflix</a> documentary on <a href="https://www.theguardian.com/film/eddiemurphy">Eddie Murphy</a>, isn’t his best movie. It isn’t his worst. It’s something to justify signing the 64-year-old to a $70m production deal in hopes that he might finally be moved to return to his standup comedy roots and deliver the long-anticipated follow-up to his seminal 1987 special Raw. With access to the subject and his archival material bought and paid for, Being Eddie is free to focus on other aspects of Murphy’s life, opening with indulgent shots of his gothic mansion and its retractable roof. While the camera gawks at the spoils of Murphy’s 40-plus year career, he remains at pains to tell viewers that his day-to-day routine isn’t much different from theirs: he goes to work, hangs out with his family and falls asleep to <a href="https://www.theguardian.com/media/mtv">MTV</a>’s Ridiculousness. He thinks it’s the funniest show on TV, in fact, and would much rather binge that blooper series (which he likens to Alejandro Jodorowsky’s avant-garde work) than reruns of his greatest hits.</p><p>That would be a bold confession to share even if it wasn’t coming from arguably the funniest person who has ever lived, and Being Eddie wastes no time in making Murphy’s claim to that title ironclad. For confirmation, director Angus Wall starts out by consulting with other recipients of major Netflix deals: Dave Chappelle, Chris Rock, Jerry Seinfeld. It’s just hard to digest all this reverence for Murphy from comedians who have grown increasingly out touch and comfortable with punching down at marginalized groups.</p> <a href="https://www.theguardian.com/film/2025/n