Add to playlist: Tristan Perich and James McVinnie’s piece for organ and 100 loudspeakers, plus the week’s best new tracks

<p>Perich’s work, performed with McVinnie at Royal Festival Hall, is the latest addition to today’s canon of boundary-pushing pipe organ music</p><p><strong>From</strong> New York and London<br><strong>Recommended if you like</strong> Kali Malone, Éliane Radigue, Caterina Barbieri, Burial’s Comafields<br><strong>Up next</strong> Infinity Gradient album out 21 November</p><p>There’s something about the pipe organ that keeps experimental musicians going back for more. No other acoustic instrument pierces and shakes the air in quite the same way.</p> <a href="https://www.theguardian.com/music/2025/nov/07/add-to-playlist-tristan-perich-and-james-mcvinnie-infinity-gradient">Continue reading...</a>